RW.40 – Oper Bonn

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RW.40 – Oper Bonn

Galerie Judith Andreae, Bonn
Opening: Friday, 10.02.2023, 18:00–21:00

Im Ausstellungsraum der Galerie Judith Andreae präsentiert REMOTEWORDS die geplante Realisierung einer noch unbekannten Botschaft für das Dach der Oper Bonn als work-in-progress. Ebenfalls werden Dokumentationen früherer, bereits realisierter RW Projekte gezeigt, erläutert und eingehend veranschaulicht, wie z.B.: Edith Russ Haus für Medienkunst, Oldenburg 2008; NAK, Aachen 2009; Akademie der Künste, Berlin 2009; Arts on Main, Johannesburg 2009; Universität der Künste, Berlin 2011; Kumu Art Museum, Tallinn 2011; Haus der elektronischen Künste, Basel 2014; ZKM, Karlsruhe 2015; Kunsthalle Düsseldorf 2016; Cabaret Voltaire, Zürich 2017 oder weiterer Stationen in Auckland, Sao Paulo, Taiwan, Port-au-Prince, Taipeh und Shenzhen Guangdong.

In the exhibition space of Judith Andreae Gallery, REMOTEWORDS presents the planned realisation of a yet unknown message for the roof of the Bonn Opera House as a work-in-progress. Likewise, documentations of earlier, already realised RW projects will be shown, explained and illustrated in detail, such as: Edith Russ Haus für Medienkunst, Oldenburg 2008; NAK, Aachen 2009; Akademie der Künste, Berlin 2009; Arts on Main, Johannesburg 2009; Universität der Künste, Berlin 2011; Kumu Art Museum, Tallinn 2011; Haus der elektronischen Künste, Basel 2014; ZKM, Karlsruhe 2015; Kunsthalle Düsseldorf 2016; Cabaret Voltaire, Zurich 2017 or further stations in Auckland, Sao Paulo, Port-au-Prince, Taiwan, Taipei and Shenzhen Guangdong.

https://galerie-andreae.de

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Exhibitions |

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RW.36 – ACCELERATED STANDSTILL

Shenzhen Pingshan International Sculpture Exhibition 2019:
TRANSCENDING DIMENSION: SCULPTING SPACE

13-31.05.2019

Author: Quotation Paul Virilio
Curatorial Team: Li Zhenhua & Liu Xiaodu & Liu Si

Virilio is best known for his theory of speed, simulation, virtualism and is also the founder of dromology (from ancient Greek: dromos [race track] and logos [science], “Logic of movement”), the speed of modern locomotion and communication defines our relationship to space and time.

Virilio believes that speed annihilates space and compresses time.
Shenzhen was China´s fastest growing city in 2018, the populations increased by approximately 498.000 residents last year.

read more: rw-36shenzhen-sculpture-exhibition-china

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Orbitale Irritationen

Orbitale Irritationen
edition KHM Band 2

For the 10th anniversary of REMOTEWORDS has published a special publication titled “Orbitale Irritationen” at the Herbert von Halem Verlag (Cologne) within the edition of the Academy of Media Arts (KHM) Cologne. It is a collection of essays in German and English language that illuminate various themes of digitality and art.

The books will arrive on the 18th of June and are now available in bookstores.
We would be very pleased to receive your support by ordering the book!

Authors: Christoph Asendorf 
/ Tanja Dückers 
/ Sabine Fabo
 / Clemens Krümmel / 
Hans Ulrich Reck / 

Klaus Staeck / 
Klaus Theweleit
 / Siegfried Zielinski

Herbert von Halem Verlag, 2018
16,8 x 24 cm, 316 S., 102 Abb., dt. / engl.
Schweizer Klapproschur mit offener Fadenbindung
39,80 EUR
ISBN 978-3-86962-302-3
read more:
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RW.35 INBA Marokko

REMOTEWORDS writes – for the first time bilingual and time-delayed – on the roof of the Institute of Fine Arts, Tétouan the words in Arabic characters مصصر الفن. 

The Arabic version was installed in October 2017 by a local team, the English translation is added after the Arabic letters have been updated on Google, Apple, etc., probably in summer / autumn 2018.

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ART TAIPEI

ART TAIPEI, Taipei World Trade Center, Taiwan
October 20th – 23rd 2017
RW.26 – RW.30
ONE EARTH UNITES MANY WORLDS
Words: Peter Weibel

Taipei World Trade Center, Taiwan / ART TAIPEI GLOBAL PUBLICS exhibition deals with ideas of universalism and the globalisation of art practice

The statement of REMOTEWORDS for Art Taipei is curated by Annie Ivanova.
The Taipei Artist Village was the first roof in the work serial. At ART TAIPEI the cinematic documentation, the single letters and the aerial photographs of the individual scenes are displayed on a 20 m long wall.